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My
first published story (1986), not listed
here, was about a doctor in Tokyo who was
using lasers to correct birthmarks. The
first story I really loved researching and
writing described Japan's
beetle trade. Both of those articles--and
all the work listed here--were my own ideas.
For that I feel fortunate.
My
work has centered on individuals because
I love the connections that ignite during
the interview. My dad had questions for
everyone, and told me early on that everyone
has something to teach me. He took me with
him always--when he went down to the gas
station to talk with the mechanics, or over
to the sale barns to look into a breed of
sheep or goat he'd heard about and thought
my mom might like to raise. And of course
he took me to his office in every university
where he taught graphic design, the craft
of communicating (visually) what you've
found out to an audience that needs to know
it. Starting my adulthood and career in
Tokyo simply made it easier to come up with
the questions, because everything was strange.
I also now have the rare, if unsaleable,
skill of transcribing in English an interview
conducted in Japanese.
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Articles |
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| A
Lot of Nerve |
Kenya
Hara's "Haptic" design show opens
a new realm of the senses |
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| Theme
Magazine |
Issue
no. 4, Siblings: A Tale of Two Sisters: the
story of Michiko and Hiroko Koshino |
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Issue
no 3, Skin: Kenya Hara: "Vinyl, Hiragana,
Stripes & Ice Cream" |
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| Metropolis |
Nuno:
Japanese textile studio unearths beauty |
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John
Letts: Canadian archeobotanist digs into British
thatch, rediscovers ancient biodiversity |
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| Asian
Wall Street Journal |
Being
a Woman Boss in Japan |
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Corporate
Philanthropy in Japan |
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Crayon
Shinchan--critique |
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| Graphis
Profiles |
Kiyoshi
Awazu, Takaaki Bando, Shigeo Fukuda, Kenya
Hara, Takenobu Igarashi, Yusaku Kamekura,
Mitsuo Katsui, Hideya Kawakita, Toshiyuki
Kita, , Ken Miki, Issey Miyake, Kazumasa Nagai,
Gwenael Nicolas, Akio Okumura, Ahn Sang-Soo,
Koichi Sato, Taku Satoh, Lanny & Kristin Sommese,
Hajime Tachibana, Ikko Tanaka, Yasuo Tanaka,
Tadanori
Yokoo |
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| Graphis
Creative Showcase |
Liu
Kai |
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Toshihiko
Ando |
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| Graphis
Opinion |
Tokyo
ADC and Decline of Pure Design |
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New
Life Fest: Dutch Design in Japan |
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| Idea |
Annual
Reports for Japanese corporations: work featured |
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| Journal
of Architecture & Building Science |
If
Thatch Went Global (in Japanese) |
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| Winds
(JAL inflight) |
A
Winter Retreat (country living) |
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Beetles
For Sale (Japan's bug trade) |
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| Chil
Chin Bito (J. housing mag) |
British
Thatcher in Miyama, Kyoto |
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| Japan
Quarterly |
Living
in Grass Houses |
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Taro
Gomi--Happenstance Happiness |
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| Japan
Times (daily paper) |
Dutch
Innovations |
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Living
in the Noosphere: Advice from a Biospherian |
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Asahi
Evening News
(daily paper) |
Three-part
series: Kyoto Trad. Houses |
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Thatched
Post Town: Shimogocho, Propping Up |
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The
Art of Thatching |
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Trad.
Japanese Houses --> Traditional Japanese
Houses |
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| Kodomo
Pia (J. magazine) |
Shizen
no Mama (Parenting column) |
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| Ikebana
International |
A
Life in Love with Wildflowers, Hanga Artist
Clifton Karhu, The Aesthetics of Thatch, Green
Ikebana |
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| website
translation: |
For
Tadanori Yokoo, Japanese designer, artist,
cultural critic |
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Books |
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| Mark
Batty Publisher |
| Matchibako:
Japanese Matchbook Art of the 20s and 30s |
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| Graphis
(New York) |
| 12
Japanese Masters |
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Compilation
of profiles of 12 Japanese designers
born 1915-1944. Includes introduction,
preface by Alex Kerr, chronology, bibliography.
An appeal to reconsider our man-made
visual environments and how they change
the way we think and act. |
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| Edizioni
Press (New York) |
| Architecture
and Society; John Ciardullo Associates
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Monograph
on socially motivated New York architect
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| Toyota
City Stadium: Deep Symbiosis between Nature
and Technology |
| A
Prehistoric Story Told: The Fukui Prefectural
Dinosaur Museum |
| Oita
Stadium, The Aesthetics of Balance |
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Three recent projects by renowned
Japanese architect Kisho Kurokawa |
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| Robundo
(Tokyo) |
| Y.M.D.:
Ancient Arts, Contemporary Designs |
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A
description in five essays of sculptor,
graphic and product designer Takenobu
Igarashi's projects for unique brand.
Internationally viable products give
new life to endangered local handcrafting
traditions of Japan like cast iron and
lacquerware. 156 pages, English, with
Japanese translation. |
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| Honnoki,
Inc. (Tokyo) |
| Japanese
Working for A Better World |
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Interviews
with 47 representative citizen activists
and an access guide to 754 grass-roots
groups ;184 pages, English. |
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Appearances |
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| Minka
Forum 1999 (National forum of the Japan
Traditional Housing Recycle & Reuse Association)
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Lectured
in Japanese on the cross-cultural rethatching
of own 100 year-old farmhouse, the efficiency
of European "crooking" reed thatching
over Japanese "sewing" miscanthus thatching
and the possibility of improving Japanese
method. (Nov. 1999) |
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| Documentary,
TV Tokyo "Maggie's Great Rethatching" |
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One-hour,
nationwide broadcast x 2 (Winter 1999,
Spring 2000) |
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| Daiwa
Anglo-Japanese Foundation: Japanese and British
Thatch |
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| 12
Japanese Masters: Devastation, Dreams, and
Cultural Re-design |
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A
Powerpoint slide show. Relates postwar
Japanese design--as a tool of economic
development and cultural redesign--to
the attack on our visual environment
today in the US by mass media and manufacturers.
Presented at Pennsylvania State University's
Palmer Museum of Art (November, 2002)
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